My name is Stephen Davis and I am a French immersion elementary school teacher, currently in my third year as an educator in Saskatoon, Saskatchewan. This year I have the distinct pleasure of teaching a Grade 3/4 class, which is my favourite grade range to teach. My students are kind-hearted, inquisitive, and optimistic, equally enthusiastic about multiplication and Captain Underpants. Additionally, they are passionate about planets, fervent about fractions, and delirious about dodgeball. Moreover, my students are dedicated to discovering Indigenous knowledge at school and consider this learning an essential element of their education and citizenship.
The editors of scholarly journals have one hell of a hard row to hoe. I say this in sympathy, never having had the courage to take on the job myself. Note that “job” in this context carries no expectation of remuneration. Editors spend hours, days and years reading manuscripts, sending them out to equally-unpaid reviewers they have to cajole into keeping to deadline, and dealing with authors along a spectrum of angelically cooperative to diabolically recalcitrant. I make no mention of the quality of the scholarship being written about, which is, as we say, “orthogonal” to the issues above. Editors then have to put all the pieces together into journal issue after journal issue. Continue reading
I think that at this point in Canadian history, most of us have some awareness of the realities of language shift. Courses in many undergraduate programs discuss the loss of indigenous languages of Canada through the linguistic and cultural repression that occurred in residential schools.
“Words matter. They join into phrases which make up clauses, which build sentences, which become conversations, debates, literature, and ideas. There will continue to be disputes on how the words we say influence the way we speak.” (Why words Matter, BBC World Service)
Our guest blogger this week, Andrew Jackson, is an artist who engages with the challenges of representation and narration through the medium of photography. His interventions focus on migration, memory and notions of urbanism. Andrew is a recent recipient of the Light Works Residency in Syracuse (2018) and Arts Council England’s Artist International Development fund, which enabled him to develop a work exploring language, identity and the spaces of Montreal. He is working towards a major exhibition in Birmingham, UK in 2018 exploring the Jamaican Diaspora. A graduate of the MA Documentary program at Newport in Wales, Andrew has since undertaken both self-initiated and commissioned works in the UK and abroad.